Class of 2018:
Donna Lady D Brewer, Al Garcia, Carl Gray, Debbie Henning, Main McMann, Bob Pacemaker Newham, Ted Taylor, Pat Tointigh, Terry Tsotigh, Mike Winebrenner, Danny White
Certificates to: Shiron and Oscar Ray Lauree Watkins Larry Jones
Leroy Brinkley – Donor of the year Don Whitney
BOD: Dan, Harold, Harry, Donna, Jayne, DW. . . for continued service
Debbie Henning
Debbie Henning is a singer, songwriter and an accomplished guitarist. She couples her unique harmonies with 12 and six string acoustic guitars. She has been influenced most by the rock, folk, and blues styles of music and has had seven number one hits in their genre at the former mp3.com.
Her daughter Trish Henning, also a highly talented musician, joins Debbie not only on stage since she was 12, but also in the recording studio.Her Shades of Blue CD, released in the winter of 2003, features three-time world fiddle champ, Byron Berline, W C Handy award nominee, Mark Lyon, and the artwork of Grammy award winner Jim Warren. This CD was produced by Mark Lyon and features the talents of the finest recording artists from the surrounding area, including Trish Henning on cello on “If you could read my Mind” by Gordon Lightfoot. Two songs were written by Mark Lyon, and the remaining 9 by Debbie.
Debbie is originally from St. Charles, Missouri, a river city and now resides in Oklahoma City. She is a self-taught guitarist beginning at age eight. She began playing “risking getting caught” while playing older brother’s guitar. Received first guitar, a 12-string, at age 14, and played it exclusively for eight years including playing street music in the French Quarter. Debbie has played and traveled in 38 states.
Mike Winebrenner
Mike Winebrenner was a great sax player and all around keeper of the Blues Flame from Tulsa, OK. He passed away prior to his induction. His musical friend and cohort Johnny Winkle offered a few comments.
“He came from a time in Muskogee, Oklahoma, when the school system had built a music program that rivaled those of many universities. The jazz studies were challenging for the students; the director of that particular regimen was beyond settling for “student” charts. He gave us some of the hardest free-form and avant-garde music available. The Jazz Ensemble consistently won the state competitions. Mike was a big part of the realization of the years of hard work and long hours.
“Stars in the jazz world of the day visited and held clinics for the members. On more than one occasion members were asked to go on the road with names like Maynard Ferguson, Stan Kenton and Hank Levy. I entered the High School program the year after Mike had graduated. I knew the name, and a few years ago even hired Mike for a gig with my group; being as we were both Muskogee students of that era, I felt a connection even then. I wish I had taken the opportunity to perform with him more. From what I’ve read today, he had a large impact in the music community in Tulsa, which gives me joy for him and the members of that community.
“Fly high, Saxman.”